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                <text>Article "'Arena' Presentation Effective In 'John Loves Mary' Staging"</text>
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                <text>Lindeman, Edith</text>
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                <text>Richmond (Va).</text>
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                <text>This article from The Richmond Times-Dispatch was published on March 23, 1949 and describes the use of an arena stage for the production of "John Loves Mary" directed by Professor Alton Williams. The author explains that an arena-style stage is one in which "the audience sits in a circle and the players do their work in the center of the room." This performance of "John Loves Mary" took place in the drawing room at Keller Hall. The author lists some pros and cons of this style of production, but makes a point to remind readers that arena-type performances are not new: "In a way, it goes all the way back to first principals when our savage ancestors...performed tribal rites in the center of a circle."</text>
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                <text>"'Arena' Presentation Effective in 'John Loves Mary' Staging" The Richmond Times Dispatch (23 March 1949) University Archives, RG 26 Box 8 Folder 1.</text>
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                <text>Article "Preview of Carnival Good Times"</text>
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                <text>Richmond (Va).</text>
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                <text>This article from The Richmond Collegian announces  the University Carnival, which was to take place in the Millhiser gymnasium at 7:30 PM. The announcement notes that 800 students attended the Carnival in the previous year, and that, as in 1939, the proceeds from the 1940 Carnival would go to "the alumni fund for the proposed student center building." Different booths would give out prizes, and many campus organizations would perform, including all 11 fraternities, the student governments of Richmond College and Westhampton College, and other campus organizations. The University Players presented "The Evolution of Necking." Accompanying this article is a series of photos from the 1939 Carnival, featuring students dressed as Native Americans as well as students in blackface.  </text>
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                <text>RichmondCollegianXXVI.28.1-19400426</text>
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                <text>"Preview of Carnival Good Times" The Richmond Collegian XXVI, no. 28, (April 26, 1940): 1,3. https://collegian.richmond.edu/?a=d&amp;d=COL19400426.2.8&amp;srpos=1&amp;e=-------en-20--1--txt-txIN-Preview+of+Carnival+Good+Times------</text>
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              <text>Karen Fleming</text>
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                <text>Article "'John Brown's Body' Scheduled by UR Players for April 18-21"</text>
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                <text>1961-04-09</text>
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                <text>Richmond (Va).</text>
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                <text>This article from the Richmond Times-Dispatch was published on April 9, 1961 on page F-7 of the newspaper. The author highlighted the details of the performance, such as an 8:15 PM start time and seperate performances for alumni and the general public. The article also references Professor Alton Williams's three-year attempt to stage the production. "John Brown's Body" is not a conventional play; rather it is a series of poems linked together by the Civil War. Each of the three white actors cast as Readers were responsible for representing many characters throughout the night, one of which was Cudjo, a slave. A photograph of the three Readers in rehearsal is also included in the article. </text>
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                <text>Confederate Army</text>
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                <text>United States--History--Civil War, 1861-1865</text>
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                <text>University Players</text>
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                <text>UA26.8.1-19610409</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>"'John Brown's Body' Scheduled by UR Players for April 18-21." The Richmond Times-Dispatch (09 April 1961) University Archives, RG 26 Box 8 Folder 1.</text>
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          <name>Student Contributor</name>
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              <text>Madison Ernstes</text>
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                <text>Article "U. of R. Cast Constructing Play Sets"</text>
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                <text>1939-05-12</text>
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                <text>Richmond (Va).</text>
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                <text>This is an article published in The Richmond Times-Dispatch in 1939 announcing the University Players’ production of Shakespeare’s “The Merry Wives of Windsor”, directed by Alton Williams and stage managed by Carlson Thomas of Danville. The article provides information regarding the scenic design and construction processes, which were done by members of the production and Alton Williams, the head of the Department of Dramatics. The play was performed on May 12 and 13, 1939 in the Playhouse. Additionally, there was a repeat performance June 3, 1939 in the Luther H. Jenkins Greek Theatre as part of the commencement ceremony. The article also describes the casting, headed by Dagmar Jacobsen and starring Salvatore Casale of Baltimore and Jack Kervan of Scarsdale.</text>
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                <text>This newspaper article from the March 28, 1983 issue of the Richmond Times-Dispatch discusses the unique set design of the University Players' production of Waiting for Godot. The director John Countryman and set designer Maury Hancock, a UR senior, describe the set as a "nuclear holocaust," featuring a 600-pound metal tree covered with mattress foam and chicken wire, and featuring seven UR actresses who were to become part of the set. The production was to be performed that April, and was the UR Players' entry into the American College Theater Festival.</text>
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                <text>"Set for Godot is UR Challenge", Richmond Times-Dispatch, Volume 26, Issue 3, 28 March 1983, University Archives, RG 26.8.1 Box 25 Folder 2</text>
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                <text>This newspaper article from the Jan 26, 1984 issue of the Collegian describes the controversial reception of the University Players' November 1983 production of Shadow Box. According to the article, the theatre department and the office of the President both received several complaints from season ticket holders regarding the “obscenities” in the script. The play’s subject matter is not described in the article, besides a reference to that the “language may seem offensive.” Department chair Jack Welsh and assistant to the president John A. Roush are both quoted in support of the department’s choice in production having academic and artistic worth. Welsh says that in the future, warnings about potentially offensive content will be included in season ticket brochures, as well as on signs in the lobby during productions.</text>
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                <text>"Shadow Box Language Offends Some Patrons" The Richmond Collegian, Volume 70, Number 14, 26 January 1984: 7. https://collegian.richmond.edu/?a=d&amp;d=COL19840126.2.42&amp;srpos=7&amp;e=-------en-20--1--txt-txIN-shadow+box------. </text>
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                <text>An article by Sharon Tully in The Collegian announces two comedies that will be performed at the University of Richmond during the spring semester of 2009. One is the dark comedy “The Pillowman” by Martin McDonagh, and will be produced by students in the Department of Theatre and Dance’s Production Studies III class. It differs from productions in the past with its intensely graphic nature, and contains all student actors. The other is the musical comedy “How to Succeed in Business Without Really Trying,” produced by the Department of Theatre and Dance, which touches on the timely topic of the pressures to succeed in the current economy, according to sophomore actor Kelly Landers.</text>
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