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              <text>Olivia Parisi</text>
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                <text>This section "Dips From The College Grin-Pot" features snippets of what was intended to be humorous dialogue. Included are six brief dialogues that feature an interaction between two people. The fifth dialogue is an interaction between two black people who are not given names as in the other dialogues, but rather are described with derogatory titles of "inebriated negro" and the "Negro's companion-lover." The black character is also given a distinct dialect that depicts black people as uneducated and foolish: "I dar yo' off'n hyah, you fool nigger."</text>
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                <text>"Dips From the College Grin-Pot." &lt;em&gt;The Richmond Collegian&lt;/em&gt; I, no. 14, (March 19, 1915): 3. &lt;a href="http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19150319.2.19&amp;amp;srpos=4&amp;amp;e=------191-en-20--1--txt-txIN#" target="_blank"&gt;http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19150319.2.19&amp;amp;srpos=4&amp;amp;e=------191-en-20--1--txt-txIN#&lt;/a&gt;</text>
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                <text>G. W.  B.</text>
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                <text>This short story, published in the spring of 1914, provides a description of student life at Richmond College. The college student, John, and his father, explain academics and activities at the university to Uncle Cy, a black farm worker. The author uses colloquial English and writes so as to capture the dialect of the different characters, emphasizing the different vocabularies between the educated white men and Uncle Cy.</text>
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                <text>Uncle Cy Gets Points on College Life [Short Story]</text>
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                <text>The Messenger, Volume XL</text>
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                <text>Caitlin McCallister</text>
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                <text>This review is in the Exchanges section of the Messenger, which appears monthly. In this month's entry, Wirt Davis reviews a short story titled "The Last Confederate" from the University of Virginia's Magazine. Davis criticizes the author for slip ups in writing in "negro dialect," but overall, gives a positive review of a story that "portrays so accurately the heroism and sacrifice of a Southern mother for the Confederate cause" (113). </text>
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                <text>United States--History--Civil War, 1861-1865</text>
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                <text>Mary Peple</text>
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                <text>This short story mocks African Americans through racist exaggerated vernacular and creating a character, named "A'nt Lucy" that is described as obese, lazy, dirty and "the blackest n*****." The plot of this story is that the there was a leaf found with "Our God" written in gold on a tree that "disreputable" and "agnostic" families cut down, referred to as the "Poor House" families. The whole town, Pheno, and even the black families 10 miles outside of Pheno, like A'nt Lucy began redeeming their sins and converting to Christianity. A'nt Lucy brought her ten children and grandchildren down to see the leaves and was told that it was all a joke on the Christians by the one of the Poor House families' sons. A'nt Lucy replied that they would write "Gawd" not God because they were uneducated and that it was truly God's Handwriting. This is the punchline of the story, mocking the idiocy of African Americans who thought they were smarter than the white disreputable outsiders with unwavering but incorrect superstition and faith. Thus, the story reveals the racist stereotypes of stupidity and laziness regarding African Americans at this time. </text>
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                <text>Virginia Baptist Historical Society</text>
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                <text>Gawd's Handwritin' [Short Story]</text>
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                <text>The Messenger&#13;
Vol. L, No. 6</text>
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                <text>Entire short story (Pages 27 -31)</text>
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                <text>On page six, in the "Re-Hash" weekly joke column, there is a joke that uses verbal blackface. It reads, "Liza, I'se gwine to kiss yuh when Ah goes!" [Reply] "Black boy, leave dis hear house at onct!" This use of dialect was presented as a form of entertainment. Through poor spelling and speech, the writer was mocking black people.</text>
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                <text>"Re-Hash.'" &lt;em&gt;The Richmond Collegian&lt;/em&gt; XI, no. 4, (October 17, 1924): 6. &lt;a href="http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19241017.2.51&amp;amp;e=-------en-20--1--txt-txIN-------#" target="_blank"&gt;http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19241017.2.51&amp;amp;e=-------en-20--1--txt-txIN-------#&lt;/a&gt;</text>
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                <text>This poem is titled with a racial slur to elaborate that it not only depicts slavery, but also speaks for black people generally. The poem is a description of enslaved blacks which calls them a "dead race." In discussing slavery, it contrasts their "hard roads and shackles" with their "lazy love of life" and singing that frightens whites. It finishes by dehumanizing them, deciding that, though they scare whites, they are "only" the title term.</text>
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                <text>Battiato, J. "Nigger." &lt;em&gt;The Messenger&lt;/em&gt; LVI, no. 7 (Commencement Number 1930): 10. University Archives, RG 24 Student Publications. Virginia Baptist Historical Society, Richmond, Virginia.Virginia Baptist Historical Society, The Messenger 1920</text>
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                  <text>Includes all documents collected by students in Digital Memory &amp; the Archive (Fall 2015).</text>
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                <text>This six-page short story, written by Frances D. Glassell, explores the lives of former slaves living on the property of their former owner.  On the day the story is set one of the former slaves, Uncle Job, was sent to the ferry dock to pick up Aunt Mirandy, the former nurse to the white children living on the property.  In the story Uncle Job waits to pick up Aunt Mirandy to bring her back to the property, but she never shows up.  Once arriving back to the house, Uncle Job receives a phone call informing him that Aunt Mirandy was killed up north because of her race.  Like other documents, phrases such as, "I'se got to wait on yo' jess' 'cause you're white an' I'se black" demonstrate the author’s choice in dialect.&#13;
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                <text>The Messenger Volume XLIII 1916-1917</text>
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                <text>The "Echoes From The Minstrel" section toward the end of the Westhampton College yearbook is a collection of jokes and quotes written in "Negro dialect." "The Minstrel" is a reference to the minstrel shows that the Glee Club began putting on in May of 1915. These performances included blackface performance.</text>
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                <text>Virginia Baptist Historical Society, The Tower 1920: 125.</text>
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