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              <text>Kasey McGhee</text>
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              <text>Irina Rogova</text>
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                <text>1921-01-21</text>
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                <text>An article detailing a minstrel show put on by the Richmond College Glee Club in which the white actors wore blackface. The subtitle refers to the actors as "charcoaled funmakers." The article calls the actors a "motley crew of darkies," relying on racist language and stereotypes to entertain the white audience of students. A quartet played songs including one called "Nigger Heaven."</text>
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                <text>"College Minstrel Draws Big Crowd: Charcoaled Funmakers Bring Down House in Uproarous, Sidesplitting Performance."&amp;nbsp;&lt;em&gt;The Richmond Collegian&lt;/em&gt; VII, no. 14 (January 21, 1921): 1, 5.&amp;nbsp;&lt;a href="https://collegian.richmond.edu/?a=d&amp;amp;d=COL19210121.2.10&amp;amp;srpos=2&amp;amp;e=-------en-20--1--txt-txIN-" target="_blank"&gt;https://collegian.richmond.edu/?a=d&amp;amp;d=COL19210121.2.10&amp;amp;srpos=2&amp;amp;e=-------en-20--1--txt-txIN-&lt;/a&gt;</text>
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                <text>Glee clubs</text>
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                <text>Minstrel shows</text>
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                <text>Article "College Minstrel Draws Big Crowds: Charcoaled Funmakers Bring Down House in Uproarous, Sidesplitting Performance"</text>
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                <text>The Collegian, University of Richmond</text>
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                <text>Richmond (Va.)</text>
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              <text>Katherine Desloge</text>
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                <text>1921-01-14</text>
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                <text>This article announces the first minstrel show given at the University of Richmond since the college relocated from its Lombardy Street location to the West End campus in 1914. The show, put on by the Richmond College Glee Club, is said to feature over 30 participants and the Richmond College Orchestra. The Glee Club was designed to host "the greatest line of jokes, conundrums, songs, stunts, etc. that can be imagined." The performers are described throughout the article as "ebony-featured," meaning the performers wore blackface. The show is promoted as an event that "cannot be missed."</text>
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                <text>"Ebony Faced Merry Makers Frolic Tonight: Frolic Tonight at Red Cross Building in First Events of Its Kind for Some Years."&amp;nbsp;&lt;em&gt;The Richmond Collegian&lt;/em&gt; VII, no. 13 (January 14, 1921): 1, 8.&amp;nbsp;&lt;a href="https://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19210114.2.5&amp;amp;srpos=1&amp;amp;e=-------en-20--1--txt-txIN-" target="_blank"&gt;https://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19210114.2.5&amp;amp;srpos=1&amp;amp;e=-------en-20--1--txt-txIN-&lt;/a&gt;</text>
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                <text>Article "Ebony Faced Merry Makers Frolic Tonight"</text>
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                <text>The Collegian, University of Richmond</text>
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                <text>English</text>
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                <text>Richmond (Va.) </text>
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          <name>Student Contributor</name>
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              <text>Destiny Riley</text>
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                <text>Article "Famous Negro Quartet Gives Interview Here"</text>
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                <text>Seward, Bill</text>
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                <text>1932-12-09</text>
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                <text>Newspapers</text>
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                <text>Richmond (Va.)</text>
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                <text>This article discusses the concert performance that an all-black, male quartet gave for the Richmond community at City Auditorium. and the interview that followed. The quartet known as the Four Mills Brothers "created a new kind of harmony and human orchestrations" as they made their first public appearance in Richmond for an audience of 3,500 people. The quartet consisted of John Mills, Herbert Mills, Donald Mills, and Harry Mills. The author of this article was able to get an interview with everyone except for Harry, as there was a large group of high school girls swarming around the group in hopes of getting autographs. The interview asked how the brothers liked the city, the people in the city, and if they hoped to come back to Richmond to perform again. The brothers said that they liked the city and the people and hoped to return.</text>
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                <text>Music</text>
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                <text>Glee clubs</text>
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                <text>"Famous Negro Quartet Gives Interview Here." &lt;em&gt;The Richmond Collegian&lt;/em&gt; 19, no. 12, (December 9, 1932): 1. &lt;a href="http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19321209.2.45&amp;amp;srpos=38&amp;amp;e=------193-en-20--21--txt-txIN-negro------#" target="blank"&gt;http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19321209.2.45&amp;amp;srpos=38&amp;amp;e=------193-en-20--21--txt-txIN-negro------#&lt;/a&gt;</text>
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              <text>Cassidy Lowther</text>
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                <text>Article "First Concert Given by Glee Club Tonight"</text>
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                <text>1934-12-14</text>
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                <text>Richmond (Va.)</text>
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                <text>The article discusses the opening of the Richmond College Glee Club's Fall tor. Sponsored by the Parent-Teachers' Association of the Bowling Green High School, the recital will open rendering two groups of songs. Followed by the new spider quartet, the program will conclude with a group of four Negro spirituals sung by the entire club, including "De Sandman," "The Yaller Gal that Winked at Me," and a medley of songs from Tidewater Virginia Colleges.</text>
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                <text>"First Concert Given by Glee Club Tonight." The Collegian Archive Vol. 21, No. 14 (December 14, 1934): 1. &lt;a href="http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19341214.2.10&amp;amp;srpos=3&amp;amp;e=01-01-1934-31-12-1935--en-20--1--txt-txIN-negro------#" target="blank"&gt;http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19341214.2.10&amp;amp;srpos=3&amp;amp;e=01-01-1934-31-12-1935--en-20--1--txt-txIN-negro------#&lt;/a&gt;</text>
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              <text>Damian Hondares</text>
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                <text>This &lt;em&gt;Collegian&lt;/em&gt; article, published December 12, 1947, is about a talent show organized by Westhampton College freshmen to benefit the World Student Service Fund, an international student relief organization. The show, which took place on December 10, was written, acted, and produced by members of the first-year class. The article notes that it featured dancing and impressions, as well as an auction in which students bid for odd-jobs to be done by their professors. The article briefly mentions that Betsy Bethune gave a monologue in blackface and that Helen Clark, Frances Allen, and Cordelia and Cornelia Gates sang "Dinah" in blackface.</text>
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                <text>"Freshman Talent Furthers WSSF." &lt;em&gt;The Richmond Collegian &lt;/em&gt;XXXIV, no. 12&lt;em&gt; (&lt;/em&gt;December 12, 1947): 1.&amp;nbsp; 1.&amp;nbsp;&lt;a href="http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19471212.2.14&amp;amp;srpos=6&amp;amp;e=-------en-20--1--txt-txIN" target="_blank"&gt;http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19471212.2.14&amp;amp;srpos=6&amp;amp;e=-------en-20--1--txt-txIN&lt;/a&gt;</text>
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                <text>The Collegian, University of Richmond</text>
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              <text>Destiny Riley</text>
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                <text>Article "Glee Club Plans Enlarged Program for School Year"</text>
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                <text>1933-09-23</text>
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                <text>This article discusses the plans that the Richmond College Glee Club for the school year. The glee club was led by an oratorio tenor and choral teacher in Richmond named Charles Troxell. He conducted many college choirs and church choirs. The Richmond College Glee Club planned to perform concerts throughout the state of Virginia and were very excited to put together and perform a minstrel show. The glee club consisted of E.G. Brown, J.H. Bucher, C. W. Dickinson, W.B. Dickinson, R.R. Lanier, W.L. Lumpkin, F.T. Loughon, E.S. Robertson, M.R. Schools, R.M.F. Williams, and J.F. Woodard.</text>
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                <text>"Glee Club Plans Enlarged Program for School Year" &lt;em&gt;The Richmond Collegian&lt;/em&gt; Vol. 20, no. 2, (September 29, 1933): 1. &lt;a href="http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19330929.2.38&amp;amp;srpos=10&amp;amp;e=------193-en-20--1--txt-txIN-minstrel------#" target="blank"&gt;http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19330929.2.38&amp;amp;srpos=10&amp;amp;e=------193-en-20--1--txt-txIN-minstrel------#&lt;/a&gt;</text>
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            <elementText elementTextId="48426">
              <text>Katherine Desloge</text>
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              <text>Irina Rogova</text>
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                <text>1921-01-07</text>
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                <text>This article announces the first minstrel show given at the University since its move to the West End in 1914, put on by the Richmond College Glee Club. The announcement was published a week before the show. The article promotes blackface, showcasing performers as "charcoaled singers and jokers." The article also promotes jokes at the expense of African Americans saying that the show will be a "laughing earthquake."</text>
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                <text>"Glee Club Plans Rollicking Affair: Charcoaled Singers and Jokers Return to University Foot-Lights After Years."&amp;nbsp;&lt;em&gt;The Richmond Collegian&lt;/em&gt; VII, no. 12 (January 7, 1921): 5.&amp;nbsp;&lt;a href="https://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19210107.2.27&amp;amp;srpos=1&amp;amp;e=-------en-20--1--txt-txIN-" target="_blank"&gt;https://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19210107.2.27&amp;amp;srpos=1&amp;amp;e=-------en-20--1--txt-txIN-&lt;/a&gt;</text>
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                <text>The Collegian, University of Richmond</text>
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                <text>Wydysh, Trey</text>
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                <text>The Collegian, University of Richmond</text>
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                <text>This is an article that announces the opening night of &amp;ldquo;Home&amp;rdquo;, the award-winning play by Samm-Art Williams, which had "the first all-black cast in the history of the University." The play was presented by the University Players and the University of Richmond&amp;rsquo;s (UR) Department of Theatre &amp;amp; Dance. It explores the life of the orphaned, Cephus Miles, boy who came to inherit his family's South Carolina farm, and his struggles with deaths in the family, love, his refusal to participate in the Vietnam war, and later, drugs and alcoholism when he moves to the city. Starring in this show are UR's artist-in-residence d.I. Hopkins, Shanea N. Taylor, a student at the Virginia Commonwealth University (VCU) and UR's own Stephanie Chandler with direction under Chuck Mike, associate professor of theatre at UR. Cast members share positive remarks about their involvement in this "historic" play.</text>
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                <text>Wydysh, Trey. "Historic play opens tonight." &lt;em&gt;The University of Richmond Collegian&lt;/em&gt; 92, no. 11 (November 17, 2005): 10. &lt;a href="https://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL20051117.2.26&amp;amp;srpos=1&amp;amp;e=-------en-20--1--txt-txIN-" target="_blank"&gt;https://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL20051117.2.26&amp;amp;srpos=1&amp;amp;e=-------en-20--1--txt-txIN-&lt;/a&gt;</text>
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                <text>Richmond (Va.)</text>
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              <text>Campbell Crochiere</text>
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                <text>This article announces a performance put on by Richmond College students to benefit &lt;em&gt;The Collegian&lt;/em&gt;. The article notes that the first part of the performance is a blackface minstrel show performed by men in Richmond College. Minstrel shows were either dances, comic skits, or musical shows performed by white people in blackface. Minstrel shows are performances based off of racial stereotypes which shows what race relations were like during the time period. The title of the article suggest that the performance will make the audience laugh at the jokes made in the show and therefore at the cost of African Americans. In addition to the title, the casual, sarcastic tone of the article downplays the act of performing racial stereotypes.</text>
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                <text>"Music and Laughs by College Fun-Makers: Minstrel Show in Benefit of 'Collegian' on To-night."&amp;nbsp;&lt;em&gt;The Richmond Collegian&lt;/em&gt; I, no. 19 (May 7, 1915): 1, 4.&amp;nbsp;&lt;a href="https://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19150507.2.7&amp;amp;srpos=4&amp;amp;e=------191-en-20--1--txt-txIN-" target="_blank"&gt;https://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19150507.2.7&amp;amp;srpos=4&amp;amp;e=------191-en-20--1--txt-txIN-&lt;/a&gt;</text>
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                <text>The Collegian, University of Richmond</text>
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              <text>Kristi Mukk</text>
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                <text>Haworth, Heath</text>
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                <text>The Collegian, University of Richmond</text>
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                <text>This &lt;em&gt;Collegian&lt;/em&gt; article is a theater review of the production &lt;em&gt;Conquest of My Brother&lt;/em&gt; presented by the University Players in November 1975. The reviewer Heath Haworth asserts the play is more of a &amp;ldquo;didactic, preachy documentary&amp;rdquo; rather than a drama, and that &amp;ldquo;the fault was not with the production so much as the play itself.&amp;rdquo; The play tells the story of the 200 year struggle between the Native Americans and the white men and &amp;ldquo;the belief of English tyrants that the destiny of Europe was to dominate this new continent and remove all savages to &amp;lsquo;purify&amp;rsquo; it.&amp;rdquo; Haworth states that the events and information in the play are not &amp;ldquo;new to most informed people,&amp;rdquo; but the play provided &amp;ldquo;gruesome reminders of our treatment of these first Americans&amp;rdquo; and the &amp;ldquo;continuous saga of broken promises&amp;rdquo; between the Native Americans and the white men. The play portrays the scalping of a Native American child as well as the death march of 10,000 Cherokees across the Mississippi River. The play ranges from &amp;ldquo;pointing a sober, accusing finger&amp;rdquo; at the &amp;ldquo;misdeeds&amp;rdquo; of the white man to using &amp;ldquo;humor to show up the idiocy of the white man in his dealings with the red race.&amp;rdquo; The play also portrays the attempt to convert the Native Americans to Christianity.</text>
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                <text>Haworth, Heath. "Play Termed 'Preachy Documentary'." The Richmond Collegian 63, no. 12, (December 04, 1975): 1. &lt;a href="https://collegian.richmond.edu/?a=d&amp;amp;d=COL19751204.2.51&amp;amp;srpos=11&amp;amp;e=------197-en-20--1--txt-txIN-" target="_blank"&gt;https://collegian.richmond.edu/?a=d&amp;amp;d=COL19751204.2.51&amp;amp;srpos=11&amp;amp;e=------197-en-20--1--txt-txIN-&lt;/a&gt;</text>
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