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                <text>Damian Hondares</text>
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                <text>Kirk, Jr., Paul W. </text>
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                <text>This "Old Piedmont Negro dialect" poem was written by a white male student masquerading as a black storyteller. Its title refers to the fictional central character, Nias, an enslaved black man who is characterized as an unintelligent, unhygenic, yet hard-working giant. The writer uses racial slurs to describe him as well. Nias notably attracts many black women wherever he goes, who fight over being able to sleep with him due to his size. He later performs manual labor for the Confederate Army, ultimately dying to save a white man's life. </text>
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                <text>Kirk, Paul W., Jr. "Ananias (A ballad in Old Piedmont Negro dialect)." &lt;em&gt;The Messenger&lt;/em&gt; LXXXIV, no. 1 (Fall 1957): 24-28. University Archives, RG 24 Student Publications. Virginia Baptist Historical Society, Richmond, Virginia.</text>
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                <text>The author of this poem claims that she is "an Asian who wants to be white" and begins the poem with the choice, "I want to be more American." When asked what's stopping her, though, she responds, "That's not who I am." The root of her desire to be "more American" and "white" is her shame toward being marginalized as Asian. She states that identity is "fluid, messy, and stained with trauma and pain." She finally decides that her American dream is to build her own.</text>
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                <text>Lee, Sharon. "A Korean American Dream." &lt;em&gt;The Messenger&lt;em&gt; (2018): 42-43. Available online via the UR Scholarship Repository.&lt;/em&gt;&lt;/em&gt;</text>
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                <text>Louise Dinwiddie</text>
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                <text>This essay by then-editor-in-chief Louise Dinwiddie, analyzes the 1929 poem "The Chinese Nightingale" by white American writer Vachel Lindsay. The poem mentions many facets of Chinese culture and, as Dinwiddie recognizes, asserts that culture is timeless and valuable even as Chinese people immigrate to other lands. Dinwiddie calls Lindsay's portrayal "whimsical" and contrasts it with his "terrified" poem "The Congo." She also claims that the poem has "the slant angle of vision peculiar to the Eastern eye" and hints to a perceived mystery surrounding Asian cultures.</text>
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                <text>Dinwiddie, Louise."The Song of the 'Chinese Nightingale.'" &lt;em&gt;The Messenger&lt;/em&gt; LVIII, no. 3 (1932): 25-32. University Archives, RG 24 Student Publications. Virginia Baptist Historical Society, Richmond, Virginia.Virginia Baptist Historical Society, The Messenger 1920</text>
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                <text>This poem from the Spring 1990 issue of the &lt;em&gt;Messenger&lt;/em&gt; features an assumedly French female student who corrects a classmate's pronunciation of the word 'femme fatale.' Another classmate then reminds her that they aren't in France. The narrator then wonders if the girl's "Hermes scarf / feels like a / noose," evoking lynching or hanging. The title also contains a derogatory term; the term "Eurofag" condescendingly refers to someone who believes Europe is superior to the rest of the word. This term perpetuates the stereotype that associates Europeans and the LGBT community.</text>
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                <text>Lynch, Jennifer. "Eurofag." &lt;em&gt;The Messenger&lt;/em&gt; (Spring 1990): 15. Available online via the &lt;a href="https://scholarship.richmond.edu/cgi/viewcontent.cgi?article=1040&amp;amp;context=messenger" target="_blank"&gt;UR Scholarship Repository.&lt;/a&gt;</text>
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                <text>Mayor, Alisa. "Inside the Sukkah." &lt;em&gt;The Messenger&lt;/em&gt; (1989): 15-16. Available online via the &lt;a href="https://scholarship.richmond.edu/cgi/viewcontent.cgi?article=1004&amp;amp;context=messenger" target="_blank"&gt;UR Scholarship Repository.&lt;/a&gt;</text>
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                <text>This poem is narrated by someone who feels left behind by a charismatic politician. References are made to the politician's constituents as being "scraps of self" and asking too much by expecting the politician to make their burdens his or her own, and the narrator claims that the politician led them in order to cleanse his or her own soul. This implies that these constituents were usually left behind and ignored in the political sphere, and that this politician only continued that history of abandonment.</text>
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                <text>Mayor, Alisa G. "To Young Politicians." &lt;em&gt;The Messenger&lt;/em&gt; (Fall 1990): 25. Available online via the &lt;a href="https://scholarship.richmond.edu/cgi/viewcontent.cgi?article=1080&amp;amp;context=messenger" target="_blank"&gt;UR Scholarship Repository.&lt;/a&gt;</text>
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                <text>Mok, Poon Kant. "First Love" and "Crossing."&amp;nbsp;&lt;em&gt;The Messenger&lt;/em&gt; LII, no. 3 (January 1927): 34. University Archives, RG 24 Student Publications.&amp;nbsp;Virginia Baptist Historical Society.</text>
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                <text>This poem, narrated by "the slave's dream and hope," attacks the idea of "good hair" as a superior, more acceptable alternative to natural black hair. It asserts that good hair should have been left on the plantations, and compares it to the song "Dixie."</text>
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                <text>Moyler, Hunter. "A Letter to Good Hair." &lt;em&gt;The Messenger&lt;em&gt;(2018): 28-29. Available online via the &lt;a href="https://scholarship.richmond.edu/cgi/viewcontent.cgi?article=2147&amp;amp;context=messenger" target="_blank"&gt;UR Scholarship Repository.&lt;/a&gt;&lt;/em&gt;&lt;/em&gt;</text>
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                <text>Cassidy Lowther</text>
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                <text>The narrator of this poem claims that, if he were black, he wouldn't mind being turned away from a white cemetery. The poem finishes by arguing that "it's white of them to give what tantamounts to [an integrated world], and makes us all, for what that's worth, separate but equal where it counts." It alludes to the separations of Heaven and Hell after death despite mortal bodies being segregated by race.</text>
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                <text>Nemerov, Howard. "A Negro Cemetery Next To A White One." &lt;em&gt;The Messenger&lt;/em&gt; (Summer 1964): 22. University Archives, RG 24 Student Publications. Virginia Baptist Historical Society, Richmond, Virginia.</text>
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