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                <text>Article "'John Brown's Body' Scheduled by UR Players for April 18-21"</text>
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                <text>Richmond (Va).</text>
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                <text>This article from the Richmond Times-Dispatch was published on April 9, 1961 on page F-7 of the newspaper. The author highlighted the details of the performance, such as an 8:15 PM start time and seperate performances for alumni and the general public. The article also references Professor Alton Williams's three-year attempt to stage the production. "John Brown's Body" is not a conventional play; rather it is a series of poems linked together by the Civil War. Each of the three white actors cast as Readers were responsible for representing many characters throughout the night, one of which was Cudjo, a slave. A photograph of the three Readers in rehearsal is also included in the article. </text>
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                <text>"'John Brown's Body' Scheduled by UR Players for April 18-21." The Richmond Times-Dispatch (09 April 1961) University Archives, RG 26 Box 8 Folder 1.</text>
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                <text>Richmond (Va).</text>
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                <text>This is a program from the University Players' production of Stephen Vincent Benet's epic poem, "John Brown's Body," with music by Fenno Heath. Members of the University Players performed this poem in the Quonset Studio Theatre from April 18 to 21, 1961, to commemorate the centennial of the American Civil War. Professor Alton Williams staged the performance, and fourteen people were in the cast. Underneath the text there is an image of a Confederate soldier's hat.</text>
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                <text>Program "John Brown's Body," April 18, 1961, RG 26 Box 8 Folder 1, "University Players," University Archives, Virginia Baptist Historical Society.</text>
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                <text>This is an article published in The Richmond Times-Dispatch in 1939 announcing the University Players’ production of Shakespeare’s “The Merry Wives of Windsor”, directed by Alton Williams and stage managed by Carlson Thomas of Danville. The article provides information regarding the scenic design and construction processes, which were done by members of the production and Alton Williams, the head of the Department of Dramatics. The play was performed on May 12 and 13, 1939 in the Playhouse. Additionally, there was a repeat performance June 3, 1939 in the Luther H. Jenkins Greek Theatre as part of the commencement ceremony. The article also describes the casting, headed by Dagmar Jacobsen and starring Salvatore Casale of Baltimore and Jack Kervan of Scarsdale.</text>
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                <text>""U. of R. Cast Constructing Play Sets." The Richmond Collegian.  May 12, 1939, RG 26 Box 8 Folder 1, "University Players," University Archives, Virginia Baptist Historical Society.</text>
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                <text>This is an announcement included in the University of Richmond commencement program that provides information regarding a performance of the "Merry Wives of Windsor" by the University Players. The performance took place in the Luther H. Jenkins Greek Theatre on Saturday, June 15 at 8:15 P.M. The announcement also states that this performance continued the tradition of presenting a Shakespearean play before commencement.</text>
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                <text>This article consists of information regarding a production by the University Players titled &amp;ldquo;Conquest of My Brother,&amp;rdquo; their second production of the 1975-1976 season. The production about the &amp;ldquo;200-year struggle between the American Indian and the white man&amp;rdquo; was set to be performed November 20-22 in the Camp Theatre. The production was to be judged in the American College Theatre Festival, presented by the John F. Kennedy Center for the Performing Arts and the Alliance for Arts Education. Ron Vigneault, assistant professor of speech communication and theatre arts, directed the production. The production of song, dance, and mime was supposed to illustrate the domination and conquest of the &amp;ldquo;red race.&amp;rdquo; The cast members are also listed in the article.</text>
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                <text>"University Players Plan Premiere: Cast Named For Next Production." &lt;em&gt;The University of Richmond Collegian&lt;/em&gt; LXIII, no. 10, (November 6, 1975): 5. &lt;a href="https://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19751106.2.33&amp;amp;e=-------en-20--1--txt-txIN-" target="&amp;quot;_blank"&gt;https://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19751106.2.33&amp;amp;e=-------en-20--1--txt-txIN-&lt;/a&gt;.</text>
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                <text>This page from The Web 1980 features photographs from the University Players' performance of the play &lt;em&gt;The Diary of Anne Frank&lt;/em&gt; in 1979 directed by Frances Daniel. The play is a stage adaptation of &lt;em&gt;The Diary of a Young Girl&lt;/em&gt; by Anne Frank, recounting two years in the life of a young Jewish girl in the Nazi occupied Netherlands.</text>
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                <text>Virginia Baptist Historical Society, The Web (1980): 223. Available online via the &lt;a href="%E2%80%9Chttps%3A//scholarship.richmond.edu/the-web/74/%E2%80%9D"&gt;UR Scholarship Repository. &lt;/a&gt;</text>
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                <text>These two pages from &lt;em&gt;The Web&lt;/em&gt; 1976 feature photographs from the University Players’ production of the play “Conquest of My Brother” in November 1975. “Conquest of My Brother” is a documentary-style play by Edward F. Emanuel that is about the struggle between Native American Indians and white men over a period of 200 years. According to the director Ron Vigneault, “The overall effect is to poignantly illustrate the domination and conquest of the red race.” Although only 11 cast members are featured in the play, they portray “nearly 150 characters though song, dance, mime and music” according to the Collegian. The 1975-76 season of the University Players focused on plays portraying issues of racial tensions and colonialism such as “The Teahouse of the August Moon.”</text>
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                <text>This page from &lt;em&gt;The Web&lt;/em&gt; 1976 features photographs from the University Players' production of the play “The Teahouse of the August Moon” in February 1976. “The Teahouse of the August Moon” is an American war comedy written by John Patrick based on the novel by Vern Sneider. The play focuses on an officer of the Army of Occupation stationed in Okinawa, Japan during the post-World War II U.S. occupation and satirizes the Americanization of Okinawa. His duty is to teach democracy to the Japanese. According to the &lt;a href="https://collegian.richmond.edu/?a=d&amp;amp;d=COL19760219.2.60&amp;amp;srpos=5&amp;amp;e=-------en-20--1--txt-txIN-%E2%80%9Ctarget="&gt;&lt;em&gt;Collegian&amp;gt;/em&amp;gt;&lt;/em&gt;&lt;/a&gt;, the University Players borrowed authentic geisha costumes from Washington D.C. that were highlighted in a geisha fan dance.</text>
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                <text>Virginia Baptist Historical Society, The Web (1976): 117</text>
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                <text>The bottom photograph features Madieth Malone, the first black student in the University Players, which was a theater group that staged productions on campus. She was one of the first black women to attend the main campus after integration came into effect at the University of Richmond.</text>
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                <text>Virginia Baptist Historical Society, The Web (1972): 253. Available online via the &lt;a href="%E2%80%9Chttps%3A//scholarship.richmond.edu/the-web/64/%E2%80%9D"&gt;UR Scholarship Repository. &lt;/a&gt;</text>
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