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                <text>Article "'Arena' Presentation Effective In 'John Loves Mary' Staging"</text>
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                <text>Lindeman, Edith</text>
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                <text>1949-03-23</text>
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                <text>Richmond (Va).</text>
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                <text>This article from The Richmond Times-Dispatch was published on March 23, 1949 and describes the use of an arena stage for the production of "John Loves Mary" directed by Professor Alton Williams. The author explains that an arena-style stage is one in which "the audience sits in a circle and the players do their work in the center of the room." This performance of "John Loves Mary" took place in the drawing room at Keller Hall. The author lists some pros and cons of this style of production, but makes a point to remind readers that arena-type performances are not new: "In a way, it goes all the way back to first principals when our savage ancestors...performed tribal rites in the center of a circle."</text>
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                <text>"'Arena' Presentation Effective in 'John Loves Mary' Staging" The Richmond Times Dispatch (23 March 1949) University Archives, RG 26 Box 8 Folder 1.</text>
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                <text>Article "Preview of Carnival Good Times"</text>
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                <text>The Richmond Collegian, University of Richmond</text>
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                <text>Richmond (Va).</text>
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                <text>This article from The Richmond Collegian announces  the University Carnival, which was to take place in the Millhiser gymnasium at 7:30 PM. The announcement notes that 800 students attended the Carnival in the previous year, and that, as in 1939, the proceeds from the 1940 Carnival would go to "the alumni fund for the proposed student center building." Different booths would give out prizes, and many campus organizations would perform, including all 11 fraternities, the student governments of Richmond College and Westhampton College, and other campus organizations. The University Players presented "The Evolution of Necking." Accompanying this article is a series of photos from the 1939 Carnival, featuring students dressed as Native Americans as well as students in blackface.  </text>
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                <text>RichmondCollegianXXVI.28.1-19400426</text>
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                <text>"Preview of Carnival Good Times" The Richmond Collegian XXVI, no. 28, (April 26, 1940): 1,3. https://collegian.richmond.edu/?a=d&amp;d=COL19400426.2.8&amp;srpos=1&amp;e=-------en-20--1--txt-txIN-Preview+of+Carnival+Good+Times------</text>
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                <text>Program "AWAY WITH THE BREEZES or 'How the South Won the War'"</text>
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                <text>The Senior Class of Westhampton College</text>
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                <text>theater programs</text>
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                <text>Richmond (Va).</text>
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                <text>This is an undated program from a production presented by the senior class of Westhampton College. The play was written, directed, designed, and performed by the students. The program contains a cast list, credits for directing and design, and an outline of the acts and scenes. "How the South Won the War" had three acts, each of which had two scenes. The scenes in Act III, for example, are titled "De Darkies on De Porch" and "The South Victorious." Some of the students worked to create the show and acted in it as well, including Lenore Dineen and Jessie McElroy. The only male involved in the production was Charles Booth who operated lights.</text>
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                <text>Confederate Army</text>
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                <text>United States--History--Civil War, 1861-1865</text>
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                <text>UA26.8.1-undated</text>
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                <text>Program "AWAY WITH THE BREEZES or 'How the South Won the War,'" undated, RG 26 Box 8 Folder 1 "University Players," University Archives, Virginia Baptist Historical Society.</text>
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              <text>Karen Fleming</text>
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                <text>Article "'John Brown's Body' Scheduled by UR Players for April 18-21"</text>
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                <text>1961-04-09</text>
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                <text>Richmond (Va).</text>
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                <text>This article from the Richmond Times-Dispatch was published on April 9, 1961 on page F-7 of the newspaper. The author highlighted the details of the performance, such as an 8:15 PM start time and seperate performances for alumni and the general public. The article also references Professor Alton Williams's three-year attempt to stage the production. "John Brown's Body" is not a conventional play; rather it is a series of poems linked together by the Civil War. Each of the three white actors cast as Readers were responsible for representing many characters throughout the night, one of which was Cudjo, a slave. A photograph of the three Readers in rehearsal is also included in the article. </text>
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                <text>Announcement "Merry Wives of Windsor", June 15, 1928, RG 26 Box 8 Folder 1, "University Players," University Archives, Virginia Baptist Historical Society.</text>
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                <text>This Richmond Times-Dispatch article was published on April 22, 1968. The article states that the performance would be performed May 11 and 12 at 3:30 P.M. in the Luther H. Jenkins Greek Theatre at the University of Richmond. The article also states that this was the largest performance in terms of cast at that time with over one-hundred students and faculty members involved. The cast included students from the modern dance group of Westhampton College, Orchesis. Dr. John D. Welsh, a speech and dramatic arts professor, served as the director for this play. The article includes a quote from Dr. Welsh and information regarding how to obtain a ticket.</text>
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