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                <text>"Williams Discloses Analysis of Play 'Petrified Forest.'" &lt;em&gt;The Richmond Collegian&lt;/em&gt; XXVII, no. 5, (October 11, 1940): 6. &lt;a href="http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19401011.2.46&amp;amp;srpos=1&amp;amp;e=--1939---1945--en-20--1--txt-txIN-+shows+negro------#" target="blank"&gt;http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19401011.2.46&amp;amp;srpos=1&amp;amp;e=--1939---1945--en-20--1--txt-txIN-+shows+negro------#&lt;/a&gt;</text>
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                <text>This article describes the lecture series planned by The Philologian and Mu Sigma Literary Organizations on campus. The lectures featured a talk by Tom Herndon on "Negro Superstition."</text>
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                <text>The article is an announcement about the law school banquet where a famous attorney, Holman Willis would be speaking. He is most known for his comic pieces using "Negro dialect" and ancient "Negro Sermons" which are aimed at mocking the African American race.</text>
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                <text>"Law School to Banquet." &lt;em&gt;The Richmond Collegian&lt;/em&gt; XXVI, no. 29, (May 3, 1940): 1. &lt;a href="http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19400503.2.7&amp;amp;srpos=10&amp;amp;e=--1940---1940--en-20--1--txt-txIN-law+school------#" target="blank"&gt;http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19400503.2.7&amp;amp;srpos=10&amp;amp;e=--1940---1940--en-20--1--txt-txIN-law+school------#&lt;/a&gt;</text>
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                <text>This letter to the editor discussed how racial slurs were used against Davidson College athletes during a basketball game at the University of Richmond. The student author of this piece, Ed Pruden, expressed disappointment in his fellow classmates that yelled "nigger" and "spook" at the black athletes on the opposing team. He went onto explain that students could not complain about their administration if they themselves are still plagued by racism. He ended his commentary by expressing embarrassment in his peers who yelled the slurs and called upon the student body to acknowledge that someday the University of Richmond would have black athletes as well.</text>
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                <text>Pruden, Ed. "Collegian Forum: Loudmouths, Directories Under Attack." &lt;em&gt;The University of Richmond Collegian&lt;/em&gt; LII, no. 13, (December 19, 1969): 2. &lt;a href="http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19691219.2.10&amp;amp;srpos=4&amp;amp;e=--1969---1971-196-en-20--1--txt-txIN" target="_blank"&gt;http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19691219.2.10&amp;amp;srpos=4&amp;amp;e=--1969---1971-196-en-20--1--txt-txIN&lt;/a&gt;</text>
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                <text>This article recounts controversy surrounding the playing of the song "Dixie" during school events. Richmond College student government, led by Steve Nock, moved to "restrain" the use of the song "Dixie" during school events, and the issue of the appropriateness of Dixie consumed the first several pages of the &lt;em&gt;Collegian&lt;/em&gt;. Some students argued the song was not offensive, saying some students "shouldn't be so small as to be offended by a bunch of words." Stanley Davis, a black student at the University, argued that Dixie was offensive and a symbol of the Old South and repression. Davis said it would be difficult for Richmond to encourage black students to attend while playing a song that created a certain kind of "attitude" and "image" about the University. Senior Terry Anderson felt the song kept Richmond from having a progressive image, and another student felt that if a song is offensive to even a small minority, it is "common courtesy" to cease playing it.</text>
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              <elementText elementTextId="3585">
                <text>"Dixie Loses Again: Dixie Debated." &lt;em&gt;The University of Richmond Collegian&lt;/em&gt; LIX, no. 7, (October 29, 1971): 1,3. &lt;a href="http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19711029.2.9&amp;amp;e=------197-en-20--1---txIN-------##" target="_blank"&gt;http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19711029.2.9&amp;amp;e=------197-en-20--1---txIN-------#&lt;/a&gt;</text>
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                <text>Marching bands</text>
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                <text>The Collegian, University of Richmond</text>
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            <name>Creator</name>
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              <elementText elementTextId="3169">
                <text>Elmer Potter</text>
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                <text>The story starts with a small racist jab at Chinese tea shops by having the narrator imply that Chinese tea shops were not as valuable as people seemed to think they were. There is a line in the short story that calls one man a "yellow-skinned artist." The narrator makes the comment of wanting to know Chinese mythology as well as they know that of the Greek showing fascination in the Eastern culture. The expansive knowledge about the Greeks contrasts with the limited knowledge of Chinese culture to reflect the politics of world history and education of non-American cultures within the U.S.</text>
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                <text>Virginia Historical Baptist Society</text>
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                <text>Richmond, Virginia</text>
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              <text>Morgan Snider</text>
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              <text>Irina Rogova</text>
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                <text>The re-hash is a joke section of the &lt;em&gt;Collegian&lt;/em&gt;, including the following: "Aunt Jemima, a big negro washer-woman, had just been knocked down by an automobile. A crowd gathered around to sympathize with her. 'You'll get damages for this, Aunt Jemima,' said one of the crowd. 'Damages h--I,' she replied, 'Ise got all the damages that I want-I crave repairs.'"</text>
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                <text>"Re-Hash." &lt;em&gt;The Richmond Collegian&lt;/em&gt; XI, no. 8, (November 14, 1924): 6. &lt;a href="http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19241114.2.49&amp;amp;e=-------en-20--1--txt-txIN-------" target="_blank"&gt;http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19241114.2.49&amp;amp;e=-------en-20--1--txt-txIN-------&lt;/a&gt;</text>
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                <text>College students, White</text>
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                <text>Dialect writing</text>
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                <text>Humor</text>
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                <text>The Collegian, University of Richmond</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Richmond (Va.)</text>
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      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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        <element elementId="53">
          <name>Metadata Creator</name>
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            <elementText elementTextId="50945">
              <text>Ciana Young</text>
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            <elementText elementTextId="50946">
              <text>Irina Rogova</text>
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            <name>Date</name>
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                <text>1930-12-12</text>
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            <description>An account of the resource</description>
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                <text>An article about housing ordinances at Westhampton College, including that the students would be allowed to keep their lights on until midnight. At the bottom of the article are two "jokes," used often to fill space in the &lt;em&gt;Collegian&lt;/em&gt;. The second joke is written using dialect writing to portray black people, and concludes with use of the word "nigger."</text>
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                <text>"Westhampton Student Gov't Secures New Light Ruling: Seniors, Juniors and Sophomores to Be Allowed to Keep Lights Burning Until Midnight." &lt;em&gt;The Richmond Collegian&lt;/em&gt; XVII, no. 11, (December 12, 1930): 1,5. &lt;a href="http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19301212.2.9&amp;amp;srpos=17&amp;amp;e=-------en-20--1--txt-txIN" target="_blank"&gt;http://collegian.richmond.edu/cgi-bin/richmond?a=d&amp;amp;d=COL19301212.2.9&amp;amp;srpos=17&amp;amp;e=-------en-20--1--txt-txIN&lt;/a&gt;</text>
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                <text>Article "Westhampton Student Government Secures New Light Rule: Seniors, Juniors and Sophomores to be Allowed to Keep Lights Burning Until Midnight"</text>
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                <text>The Collegian, University of Richmond</text>
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              <text>Ciana Young</text>
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              <text>Irina Rogova</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Oden, Phil</text>
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                <text>Carter, Bill</text>
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            <description>An account of the resource</description>
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                <text>In "Hash and Re-hash," a column often printed in &lt;em&gt;The Richmond Collegian&lt;/em&gt;, the writers share a series of humorous stories, many based on word play, puns, and one-line jokes, with the target of jokes often being black people. This column is credited to "Two 'Shamrocks' Phil Oden--Bill Carter." One piece recounts a black woman in court being told to pull her skirt down by the judge, the judge at one point calling the woman "nigger." The judge fines the woman for "contempt of court," and the woman explains the fine in dialect, stating "He said he's gonna fine me ten dollars for temptin' de court." The punchline of this joke combines reliance on "negro dialect" to misinterpret legal language, and on the sexual implications of the woman's skirt riding up. Several pieces later, there is a dialogue between a presumabely white woman and a black woman identified by her speech being in dialect writing. Mrs. Whisthebaum inquires of Dinah where she had been, Dinah replies "Ah was blackberrying, Mis' Whisbum." Mrs. Whisthebaum asks "You were blackberrying?" Dinah replies, "Yessum, it was mah Cousin Joe's funeral."</text>
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          <element elementId="48">
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            <description>A related resource from which the described resource is derived</description>
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